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AUDITION INFORMATION

AUDITION REQUIREMENTS

All Upper School Students (7th-12th graders) are eligible to audition. Please make sure that you double check you are available for the performance dates before you audition. Performances will be Thursday March 1st, Friday March 2nd, and Saturday March 3rd. All rehearsals will be during 2nd and 3rd quarter elective times. All students who audition will be cast in the production.

In order to audition, you must request Shakespeare Rehearsal as your elective choice for 2nd Quarter. Students who do not wish to act in the production will participate in a production committee during 3rd Quarter.

Students who did not perform in last year's Twelfth Night must come to the first elective class (Tuesday October 17th) with a memorized 30 second to 1 minute Shakespearean Monologue. This can be from any Shakespeare play except A Midsummer Night's Dream. This is optional for students who participated in last year's Twelfth Night, but highly encouraged. Preparing a monologue shows your commitment to the production, as well as showing your comfortability with Shakespeare's text. Miss Preston is available to help any student with their monologue at lunch or after school.

Here are some resources for selecting a monologue:

Mens Monologues

Womens Monologues

5 Tips for Preparing a Monologue with Confidence

CHARACTER LIST

The Court

Theseus, Male, Duke of Athens, engaged to Hippolyta

Hippolyta, Female, Queen of the Amazon, engaged to Theseus

Philostrate, Male or Female, Master of Revels

Egeus, Male, Father of Hermia

Other Attendants of the Court

The Lovers

Lysander, Male, in love with Hermia

Demetrius, Male, in arranged marriage to Hermia

Hermia, Female, Egeus’ daughter, in love with Lysander but betrothed to Demetrius

Helena, Female, in love with Demetrius

The Fairies

Oberon, Male, King of the Fairies

Titania, Female, Queen of the Fairies

Puck, Male or Female, Oberon’s Fairy

Peaseblossom, Cobweb, Moth, Mustardseed, Females, Fairies of Titania’s court

 

The Mechanicals

Nick Bottom the Weaver, Male, plays Pyramus

Peter Quince the Carpenter, Male, leader of the Mechanicals, plays Thisby’s Father

Francis Flute the Bellows-Mender, Male, plays Thisby

Robin Starveling the Tailor, male or female, plays Thisby’s Mother, and Moonshine

Tom Snout the Tinker, male or female, plays Pyramus’ father and the Wall

Snug the Joiner, male or female, plays the Lion

PLOT SUMMARY​ (Adapted from SparkNotes)

Theseus, duke of Athens, is preparing for his marriage to Hippolyta, queen of the Amazons, with a four-day festival of pomp and entertainment. He commissions his Master of the Revels, Philostrate, to find suitable amusements for the occasion. Egeus, an Athenian nobleman, marches into Theseus’s court with his daughter, Hermia, and two young men, Demetrius and Lysander. Egeus wishes Hermia to marry Demetrius (who loves Hermia), but Hermia is in love with Lysander and refuses to comply. Egeus asks for the full penalty of law to fall on Hermia’s head if she flouts her father’s will. Theseus gives Hermia until his wedding to consider her options, warning her that disobeying her father’s wishes could result in her being sent to a convent or even executed. Nonetheless, Hermia and Lysander plan to escape Athens the following night to marry. They make their intentions known to Hermia’s friend Helena, who was once engaged to Demetrius and still loves him even though he jilted her after meeting Hermia. Hoping to regain his love, Helena tells Demetrius of the elopement that Hermia and Lysander have planned. At the appointed time, Demetrius stalks into the woods after his intended bride Hermia, and Helena follows behind him.

In these same woods there are a band of fairies, including Oberon, the fairy king, and Titania, his queen, who has recently returned from India. Oberon and Titania are at odds over a young Indian prince given to Titania by the prince’s mother; the boy is so beautiful that Oberon wishes to make him a knight, but Titania refuses. Seeking revenge, Oberon sends his merry servant, Puck, to acquire a magical flower, the juice of which can make any person fall in love with the first thing he or she sees upon waking. Puck obtains the flower, and Oberon tells him of his plan to use it on the sleeping Titania. Having seen Demetrius act cruelly toward Helena, he orders Puck to spread some of the juice on the eyelids of the young Athenian man. Puck encounters Lysander and Hermia; thinking that Lysander is the Athenian of whom Oberon spoke, Puck afflicts him with the love potion. Lysander happens to see Helena upon awaking and falls deeply in love with her, abandoning Hermia. As the night progresses and Puck attempts to undo his mistake, both Lysander and Demetrius end up in love with Helena, who believes that they are mocking her. Hermia becomes so jealous that she tries to challenge Helena to a fight. Demetrius and Lysander nearly do fight over Helena’s love, but Puck confuses them by mimicking their voices, leading them apart until they are lost separately in the forest.

Also in the forest is a band of Athenian craftsmen rehearsing a play that they hope to perform for the duke and his bride. These craftsmen know nothing about acting and struggle to put their play together. The most ridiculous and arrogant of the bunch is Nick Bottom. Continuing his joy of knavery Puck sees Bottom and transforms him into a man with the head of a Donkey. When Titania wakes from her love-potion sleep, the first creature she sees is Bottom and instantly falls in love with him. Eventually, Oberon obtains the Indian boy, Puck spreads the love potion on Lysander’s eyelids, and by morning all is well. Theseus and Hippolyta discover the sleeping lovers in the forest and take them back to Athens to be married—Demetrius now loves Helena, and Lysander now loves Hermia. After the group wedding, the lovers watch Bottom and his fellow craftsmen perform their play, a fumbling, hilarious version of the story of Pyramus and Thisbe. When the play is completed, the lovers go to bed; the fairies briefly emerge to bless the sleeping couples with a protective charm and then disappear. Only Puck remains, to ask the audience for its forgiveness and approval and to urge it to remember the play as though it had all been a dream.

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